• Black Female Warriors
• Woman Warrior Black Panther
• Black Warrior Women Pictures

Disclaimer: I do not own Super Sentai or Rwby

This was unexpected for Ryu he just woke up in an alley on top of garbage bags. He was just in his house with his wife taking care of his son Gai. Now, he was in an alley, where ever he is he needs to go back to family. He checks his breath for alcohol but didn't find any, if he did smell alcohol it would be surprising to find himself drinking because he'll only drinks warm milk.

May 12, 2017  BLACK JACK WOMAN; Artist RED WARRIORS; Album Lesson 20 -RED WARRIORS 20th Anniversary Box-Licensed to YouTube by Nippon Columbia Co., Ltd. (on behalf of BODY) Show more Show less. Feb 16, 2018  Featurette for Black Panther takes an in-depth look at the warriors of Wakanda that support T'Challa (Chadwick Boseman). Clip shows footage from.

Ryu knew this was not Iga city. The buildings were too big and some of the buildings didn't have any fusumas. Ryu started to look at his clothes and was relieved to know he had all of his clothing. But he notices what was in his wrist was his cross changer.

He was confused, he put this changer away after that last Super Sentai team up and that was four years ago. He needs to find a payphone to call his wife or one of his former teammates. While searching for a payphone he saw a five-man group walking towards a shop. One of them who's most likely the leader wore a bowler hat with a red band a white dress coat along with black dress. The citizens seem to be afraid of them which means their dangerous.

Ryu watched as the five men piled inside the small store. He slowly walks towards the shop called, 'From Dusk Till Dawn', which could be a bar or a coffee shop. Before he could go inside the store a streak of red and mass of black flew past breaking the window out into the street.

The rest of the thieves looked out the window and saw the henchman knocked out cold while a short girl with a red hood stood up proudly. A red metallic object hooked onto her back was now balanced on her shoulder and it extended into a large mechanical scythe. The haft was at least twice as long as the girl was tall, and its menacing, curved double blade was just as tall as her.

'Where the hell am I?' Ryu asked himself. 'Who lets little girls hold giant weapons. What am I saying I let a high school girl be a Jetman,'

Ryu ran to knock one of the thug members. He grabbed another of those thugs and flipping him over his shoulder before delivering a kick to the face knocking him out

'Need a hand?' asked Ryu.

'Who is this guy?' one of the thugs asked.

'I'm the man who's gonna stop you.' Ryu lifted up his right arm showing his changer.

'What you gonna do tell me what time it is?' taunted the man with the bowler hat.

'Let's go! Crosschanger!' Ryu called out while pressing his changer. He was covered in a bright red light and henshin into his suit. He made pose and shouted, 'Red Hawk'

His suit was primary of white and red with a big red hawk symbol in his chest. His helmet was red with a black visor and silver mouthpiece. The helmet had a tiny yellow beak and two black eye that made it look like a bird.

'Awesome' gawked the girl.

The red ranger charging forward engaging one of the goons.

'Hey, wait up!' the girl yelled catching up to Ryu. She planted the blade of her scythe into the concrete lifting her body onto the scythe spin kicking the first approaching thug in the face she then retrieves her weapon firing off a round propelling her towards another thug using the butt of her weapon hitting him sending him flying right into another goon bringing the side down on another goon while using the speed given to her from the recoil getting close enough to the final goon knocking him into the air before following him up and slamming him into the ground. The Red Ranger knocked out his thugs but noticing how impressive the little girl was as a fighter.

The leader stood over them a look of annoyance plastered on his face

'You were worth every lein, you truly you were.' he said sarcastically both teens turned to face him weapons ready, 'Well Birdman, Red it's been an eventful evening,' the red head said as he drops his cigar extinguishing it with his cane.

'As much as I'd like to stick around' he raised his cane pointing it at the two before a crosshair popped up confirming it was a weapon 'I'm afraid this… is where we part ways,' he said firing a shot at the two who both managed to doge the initial attack and explosion that followed only to find he was gone

'Up there' the Jetman pointed out spotting the red head climbing a ladder up a nearby building

'You ok if we go after him?' the girl asked

The shopkeeper gave a quick nod before she wrapped her arm around Jetman's waist, 'What are you…' the red ranger was cut off when she fired her weapon propelling the two of them up to the roof.

'Warn me next time, I could fly.' Ryu stated.

'You can!' shouted the amazed girl.

He stopped, 'persistent,' he muttered under his breath the girl in red braced herself in case he tried to shoot them again but instead a large aircraft rose from the other side of the building the size of the craft seemed simple the design resembles a v-22 boarding he turned back to face the two.

'End of the line.' he said throwing one of the stolen crystal in front of the two before firing another explosive round at it Ryu quickly went to shield the girl with his own body feeling the heat and the defining sound but was left unharmed. The Red Warrior turned around finding a woman with pale blond hair casting a protective barrier with a riding crop. Ryu was surprise to see her casting some magic, the woman adjusted her glasses before unleashing a barrage of pure energy throwing the aircraft side to side.

'We've got a huntress!' shouted the man in white to the airship pilot.

The pilot turned out to be a young woman in a red dress with long black hair. She rushed to the side door as the man in white tried to control the airship.

The huntress shot a purple light into the sky above the airship and a storm manifested. Shards of ice descended from the cloud piercing the ship.

The young woman in red appeared in the side hatch. She took stock of the situation and seemed awfully relaxed. The sleeves on her dress burned revealing embedded Dust. She activated the Dust with her aura and cast a fireball at the huntress.

The Red Hawk got in front of her and blocked the fireball with his sword. The blonde woman was surprise to the costume man block the attack with just a longsword. But she took the chance to use her psychokinetic powers and gathered the shards of the roof into a deadly spike and launched it at the airship. The young woman fired several blasts from her hands trying to destroy it, but the spike merely reformed and continued on its course.

The man in white, being somewhat clever, tilted the ship and managed to ricochet the spike off the top hull of the ship. Not to be outdone, the huntress separated the spike into three streams and threatened to slice the ship to bits. But the young woman summoned the fire from her dress and expanded it outwardly blasting the streams apart.

The airship was offered a brief respite and began to turn away.

The young girl didn't want the criminal to get away she turn her scythe into a rifle. The girl began firing, but the young woman aboard the ship was able to block each shot. She then cast a ring of fire around both the girl and huntress.

The Woman threw the girl out of harm's way with her telekinesis before barely escaping herself. While Ryu dodged out of the way

Finally, the ship's hull closed and flew off into the night. Everything was quiet again. After a pause, the girl turned to the woman.

'You're a huntress? Can I have your autograph?!' she gushed.

The girl random excitement made Ryu raised an eyebrow under his mask.

'What the heck is a huntress?' He muttered to himself.

Ryu and the girl sat in a dimly lit room sitting at a small metal table the girl was no longer smiling while the so called Huntress was here questioning them

'I hope you two realize that your actions tonight will not be taken lightly,' the woman said pacing around the table

'But they started it.' grimaced the girl.

'Ma'am I know taking the law in our hand was not something we were supposed to do but I'm afraid the girl and I knew the police wouldn't arrive in time.' said Ryu.

The woman scowled at him for a moment before responding, 'the two of you put yourselves and others in danger,' she said.

'Of course, we put ourselves in danger that's what being a person is being about. Risking our own lives to protect the innocent who can't.' Ryu said crossing his arms

'Yeah what he said,' the girl said halfheartedly.

'You still need to consider the collateral damage you caused. Also, you both charged in recklessly without taking into account, your opponent's greater powers and numbers.' she said.

'I don't think that four thugs could be considered to have 'great power' those men were out cold ten seconds into the fight and two you didn't seem to be concerned with collateral damage to keep you from fighting, Miss…' he ponders.

'Goodwitch, Glynda Goodwitch and the only reason I got involved was to protect the two of you,' she said scowling at Ryu.

'Well then Miss Goodwitch, are you going to send us to prison for doing the right thing?' Alex asked politely Glynda gave a sigh while the girl in red tensed up.

'If it were up to me you'd both be sent home with a pat on the back…'

Making the young girl smile proudly.

'And a slap on the wrist!' Glynda said slapping the end of her riding crop against the table almost making the girl in red jump out of her seat.

'But there's is someone who wants to see the both of you,' Glynda said as she stood aside as a man with silver hair a green scarf, glasses holding a plate of cookies in one hand and a cup of coffee in the other

'Ruby Rose…' the man paused leaning in closer to the girl before continuing, '…you…have silver eyes.'

'Uh…' Ruby trailed off not knowing how to respond to the comment.'

'So where did you learn to do this?' the man asked indicating to a recording of their attempt to stop the store heist

'S-Signal academy.' Ruby answered timidly.

'They taught you to use one of the most dangerous weapons designed?' he asked

'Well one teacher in particular.' Ruby answered.

'I see.' he said placing the plate of cookies down in front of them. Ruby wasted no time and began to inhale the baked goods one after another.

'It's just that I've only ever seen one scythe wielder of that skill before a dusty old crow,' added the man, Ruby nodded in response as her mouth is still stuffed with what looked like three cookies.

Black Female Warriors

'Faff miy uncll crof. Sorry, that's my uncle Qrow, he's a teacher at signal I was complete garbage until he took me under his wing now I'm all like,' ruby said striking poses from kung Fu movies. Ryu couldn't help but smile at her childish innocence.

'So, I've noticed,' the man said sitting down across from them.

'And what is an adorable girl, such as yourself doing at a school designed to train warriors?' Asked the man.

'Well… I want to be a huntress.' Ruby said cautiously.

Ryu was still confuse on what a Huntress is.

'You want to slay monsters,' he inquired.

'Yes, I only have two more years of training left at signal, then I'm going to apply to Beacon you see my sister is starting there this year and she's trying to become a huntress and I'm trying to become a huntress and I want to help people our parents always taught us to help others so I thought might as well make a career out of it I mean the police are all right but hunters and huntresses are just so much more romantic and exciting and cool and…. well you know.' Ruby explained getting really existed about her future career.

'Do you know who I am?' the man asked.

'Your Professor Ozpin, you're the headmaster at Beacon.' Ruby said as Ozpin gave a small smile.

'Hello.' Ozpin said introducing himself.

'Nice to meet you.' Ruby said politely.

'You want to come to my school?' he asked.

'More than anything.' Ruby said eagerly Ozpin looked over to Glynda who simply looked away obviously disagreeing with his decision.

'Well, ok.' Ruby's face lit up like Christmas, she had achieved her goal into joining the most likely the best combat school on the planet.

Ozpin turned to the Ryu and asked, 'What about you sir. Who are you?'

'I am Ryu Tendo, and to be honest with you Professor, I don't know where I am.' The Jetman said to Ozpin simply folded his hands and stared directly at Ryu.

'What do you mean?' he asked.

'I think I was transported from my planet to yours.' responded Ryu making the two female eyes widen of shock.

'Please explain.' Ozpin requested.

'Well, I was at home with my wife and son and next thing I know I woke up in alley.' Ryu said.

'You could have woken up from too much drinking.' Glynda said.

'I don't really drink Ms. Goodwitch, I prefer warm milk.' Ryu added, 'besides you call this world Remnant and have a broken moon where I come from my world is called is Earth and our moon is perfectly fine.'

'You moon is not half destroyed?' asked Ruby with a shocked face.

'Yes, it is perfectly fine.' Ryu said.

'What about your transformation? Can you explain that?'

'Yes I am a Super Sentai Jetman.'

'Um what's a Super Sentai and a Jetman?' asked Ruby.

'It's a team of chosen individuals to fight evil and protect the earth.' Ryu replied.

'So what do you fight? Grimm?' Ms. Goodwitch asked.

'No not Grimm but they are monsters like being from other worlds or dimensions. But I won't lie to you the creatures are grim looking.' Ryu said.

'You had a team, right?' Ozpin question.

'Yes, we were called Jetman, a five-person group and we were the fifteenth group to be Super Sentai.'

'It was just a five-person group!?' Ruby shouted.

'We had help.' Ryu said with a smile.

'So now you're stuck here by unknown means.' said Ozpin.

'Yes.'

'I can offer you something Mr. Tendo.' said Ozpin with Ryu nodding yes he continued, 'How would you like to be a teacher for Beacon Academy?'

'I like the offer Professor, but I'm no teacher.' replied Ryu.

'It's alright you would be partner up with Ms. Goodwitch.' Ozpin said surprising the woman.

'What?' said the shock woman.

'It's only fair, he's new to this world and he needs our help.' said Ozpin

'Fine.' Goodwitch agree.

'Thank you for the help and support.' Ryu said.

'I'm just glad to help a person in need.' Ozpin said.

'So when do we start?' asked Ryu

I had this idea when I was watching Super Sentai and reading good Sentai crossovers. He using every 42 red Sentai. Hope you like it because there will be more coming.

Women Are Warriors is a 14-minute 1942 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime Canada Carries On series, and dealt with women in war.^[1] The film was produced by Raymond Spottiswoode and directed by Jane Marsh.^[2] The film's French version title is Les Femmes dans la mêlée.

• 6References

Synopsis[edit]

In 1942, during the Second World War, as demands on the Canadian military grow, women are taking an increasingly important place alongside men. Not only in Canada were the strengths and talents of women being harnessed in a 'total war' that had reached global proportions.

Woman Warrior Black Panther

In Great Britain when the war began, military authorities soon realized the importance of mobilizing all their citizens. Entering the industrial workforce, women supplemented men in many positions at munitions factories. Through the civilian Women's Volunteer Service women became nurses, ambulance drivers and Air Raid Wardens. Following in the wake of the volunteer organizations were the specialized Women's Auxiliary, dedicated to freeing men for other military service. The Women's Auxiliaries included the women in the Auxiliary Territorial Service (ATS) with women as orderlies, drivers, postal workers, ammunition inspectors and operating searchlight units. The women pilots in the RAF Ferry Command took on the important but dangerous role of ferrying aircraft from factories or repair depots to the front line Royal Air Force operational units.

In the Soviet Union, the strength of one hundred million women is being seen in many ways. Women have taken on great responsibilities from running the collective farms, working in industrial production, and serving in the military units on the front lines. In the Soviet Supreme Council, 227 women deputies also were elected.

Canada also saw women becoming involved in the war effort. As Canadian men are being mobilized to serve in the military, three million women are also mobilized to serve in the 'home front'. The largest contribution by Canadian women was through unpaid volunteer work, participating in recycling programs, creating Red Cross packages, hosting dances for servicemen and other related domestic activities. The other important role that women took on was at munitions factories, turning out the tools of war.

Canadian women also served in the military with the Canadian Women's Army Corps taking over 21 types of army duties, enabling men to be released for combat service. The Canadian Nursing Sisters have gone overseas. In the Woman's Division in the Royal Canadian Air Force (RCAF) women became clerks, drivers, photographers, air photo interpreters, weather observers, instrument mechanics, parachute riggers as well as many administrative and technical positions in the RCAF. Most women served at British Commonwealth Air Training Plan stations across Canada.^{[Note 1]}

Canadian women will also play a part after the war, in building a new world.

Cast[edit]

• Mary Johnston, RAF Ferry pilot
• Guerna Bak, Soviet Collective farmcommissar
• Nadia Suplikava, Soviet Union farm worker
• Kama Najidova, Soviet Union Petroleum Engineer
• Klatika Kosina, Soviet Union, locomotive drive
• Inidia Trokikya, Soviet Union railway director

Production[edit]

Typical of the NFB's Second World War documentary short films in the Canada Carries On series, Women Are Warriors was created as a morale boosting propaganda film, originally with the working title of 'Work for Women'.^[4][5] The film was a compilation documentary that relied heavily on newsreel material to provide the background to the dialogue. '['Women Are Warriors'] represents an excellent example of the creative application of the compilation model in NFB films. The film brings together huge pre-edited chunks of British and Soviet footage with practically no NFB-produced material. Marsh's editing approach and her ability to incorporate a multitude of distinct newsreel footage was instinctual with a powerful artistic and political force.'^[6]

In a dispute with NFB director John Grierson, Director Jane Marsh had her material re-edited. 'The difference between the original script prepared by Marsh and the final version of the film [Women Are Warriors] was quite vast. Comparing the two versions illustrates that some NFB filmmakers were insistent on pushing the envelope even further with their class-based analysis, and that by the end they would settle for solutions that accepted the limitations associated with working within a government agency.'^[7] The 'final cut of 'Women Are Warriors', for example, hardly resembles the ambition of her original treatment on women's contemporary situation. ... After a final disagreement with Grierson, who refused to let a woman head his 'Canada Carries On' series, Marsh resigned from the NFB in 1944.'^[8]

The deep baritone voice of stage actor Lorne Greene was featured in the narration of Women Are Warriors. Greene, known for his work on both radio broadcasts as a news announcer at CBC as well as narrating many of the Canada Carries On series.^[9] His sonorous recitation led to his nickname, 'The Voice of Canada', and to some observers, the 'voice-of-God'.^[10] When reading grim battle statistics or narrating a particularly serious topic, he was known as 'The Voice of Doom'.^[11]

Reception[edit]

Black Warrior Women Pictures

Women Are Warriors was produced in 35 mm for the theatrical market. Each film was shown over a six-month period as part of the shorts or newsreel segments in approximately 800 theatres across Canada. The NFB had an arrangement with Famous Players theatres to ensure that Canadians from coast-to-coast could see them, with further distribution by Columbia Pictures.^[12]

After the six-month theatrical tour ended, individual films were made available on 16 mm to schools, libraries, churches and factories, extending the life of these films for another year or two. They were also made available to film libraries operated by university and provincial authorities. A total of 199 films were produced before the series was canceled in 1959.^[13]

Historian Malek Khouri analyzed the role of the NFB wartime documentaries with Women Are Warriors characterized as an example of a propaganda film. 'During the early years of the NFB, its creative output was largely informed by the turbulent political and social climate the world was facing. World War II, Communism, unemployment, the role of labour unions, and working conditions were all subjects featured by the NFB during the period from 1939 to 1946'.^[14]

The role of women depicted in Women Are Warriors also showed an acceptance of a new role to come in postwar years.^[15] In an examination of the role of the NFB in wartime, historian George Evans observed: 'If contemporary feminists sense omissions and patronizing in the film, one must at least acknowledge that [Women Are Warriors] expressed a positive attitude to working women and was conditioning audiences to become accustomed to new and permanent women's roles in the workplace.'^[16] He further noted: 'The film ['Women Are Warriors'] ended with a superb montage moving from shots of women in factories to a plane in action, to factory, to plane to factory and plane to demonstrate how important women's roles were to the war effort.'^[17]

Film Historian Barbara Halpern Martineau considered the significance of Women Are Warriors in a historical context. 'Unlike 'Women at War' and 'Wings on Her Shoulders', 'Women Are Warriors' makes it clear that these women were not leisurely idlers before the war - they were domestic workers, secretaries, doing whatever work was available for women. But just as the implications of Jane Marsh's original title, 'Work for Women', were suppressed in favour of 'Women Are Warriors', so the implications of the film's structure and commentary are suppressed by the use of a male narrator - the same patriotic, reassuring voice heard in so many films showing men at war.'^[18]

See also[edit]

• The Home Front (1940), a NFB documentary on the role of women on the home front in the Second World War
• Wings on her Shoulder (1943), a NFB documentary on the Royal Canadian Air Force Women's Division
• Rosies of the North (1999), a NFB documentary on the women who worked at the Canadian Car and Foundry building fighter and bomber aircraft in the Second World War

References[edit]

Notes[edit]

Citations[edit]

1. ^Lerner 1997, p. 1051.
2. ^Keshen 2004, p. 156.
3. ^Ziegler 1973, p. 6.
4. ^Halpern Martineau, Barbara. 'Before the Guerillières: Women's Films at the NFB During World War II.' [Transcript of a speech). Conference on Canadian Film in Its Historical Context, Ottawa, Ontario, November 13, 1976.
5. ^Morris, Peter. 'Film Reference Library: Canada Carries On.'Canadian Film Encyclopedia. Retrieved: February 5, 2016.
6. ^Khouri 2007, p. 181.
7. ^Khouri 2007, pp. 102–103.
8. ^Armitage et al. 1999, p. 1.
9. ^Bennett 2004, p. 254.
10. ^Rist 2001, p. 84.
11. ^'Bonanza's Canadian Lorne Greene.'Bite Size Canada. Retrieved: February 5, 2016.
12. ^Ellis and McLane 2005, p. 122.
13. ^Ohayon, Albert. 'Propaganda cinema at the NFB'.National Film Board of Canada, July 13, 2009. Retrieved: February 5, 2016.
14. ^Khouri 2007, back cover.
15. ^Ramsay 2011, p. 40.
16. ^Evans 1984, p. 185.
17. ^Evans 1984, p. 138.
18. ^Feldman and Nelson 1977, p. 65.

Bibliography[edit]

• Armatage, Kay, Kass Banning, Brenda Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN978-0-8020-4120-3.
• Bennett, Linda Greene. My Father's Voice: The Biography of Lorne Greene. Bloomington, Indiana: iUniverse, Inc., 2004. ISBN978-0-595-33283-0.
• Ellis, Jack C. and Betsy A. McLane. New History of Documentary Film. London: Continuum International Publishing Group, 2005. ISBN0-8264-1750-7.
• Evans, Gary. John Grierson and the National Film Board: The Politics of Wartime Propaganda. Toronto: University of Toronto Press, 1984. ISBN978-0-80202-519-7.
• Feldman, Seth and Joyce Nelson. Canadian Film Reader. Toronto: P. Martin Associates, 1977. ISBN978-0-8877-8159-9.
• Keshen, Jeffrey A. Saints, Sinners, and Soldiers: Canada's Second World War. Vancouver: UBC Press, 2004. ISBN978-0-7748-0923-8.
• Khouri, Malek. Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46. Calgary, Alberta, Canada: University of Calgary Press, 2007. ISBN978-1-55238-199-1.
• Lerner, Loren. Canadian Film and Video: A Bibliography and Guide to the Literature. Toronto: University of Toronto Press, 1997. ISBN978-0-8020-2988-1.
• Ramsay, Christine, ed. Making it Like a Man: Canadian Masculinities in Practice. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2011. ISBN978-1-55458-327-0.
• Rist, Peter. Guide to the Cinema(s) of Canada. Westport, Connecticut: Greenwood Publishing Group, 2001. ISBN978-0-3132-9931-5.
• Ziegler, Mary. We Serve That Men May Fly: The Story of the Women's Division of the Royal Canadian Air Force. Hamilton, Ontario, Canada: RCAF (WD) Association, 1973. No ISBN.

External links[edit]